Tag Archives: Ed Walsh

“No Game I Ever Pitched Meant Half as Much to me”

10 Aug

Shortly after his son’s major league debut on the 4th of July, 1928, The Chicago Daily News said:

“This is a story of Ed Walsh Jr., but it is also the story of Ed Walsh.”

The paper said Walsh Jr. “fulfilled an ambition the father had nurtured for 23 years.”

The older Walsh, who had just joined the team as a coach, told the paper:

“As soon as he was able to toddle around he wanted to play ball…He always wanted to be a pitcher too.  I guess most boys do, but if they can’t pitch they‘ll play somewhere else.  Not this boy though.  He wanted to pitch all the time.”

Walsh talked about what he taught his son:

edwalsh

Jr.

“I’ve drummed three things into him—control, so he can lay the ball in there where he wanted it; studying the hitters, so he could always be ahead of him, and fielding his position, so he could help himself in a lot of plays where he’d be lost if he wasn’t a good fielder.  And I told him, too, never to forget there were seven men out in the field behind him, and not to try to throw every ball past the hitters.”

The younger Walsh was signed by the Sox in June, after pitching at Notre Dame, where his father was also his pitching coach.  Big Ed said:

“I never had to tell him to practice or to hustle.  He loves baseball too much for that He played ball every minute he could and as he grew up he improved until I don’t think there was a better pitcher in any of the colleges as he was at Notre Dame.”

Walsh said his son was 25-3 during his college career and “won twenty-five games and lost six” for a semi-pro team in the Massachusetts/Rhode Island based Blackstone Valley League between the end of Notre Dame’s season and before he joined Chicago.

One feature of Walsh’s first start was that manager Ray Schalk, started the game behind the plate—one of only two games he appeared in and his only start, The Chicago Tribune said;

“(Schalk) made his first start of the year in his old place so that he might boast of having caught two generations of the Walsh family.”

Walsh Jr. lasted just four innings, giving up five runs in fourth after walking three straight batters.

Regarding his son’s first game, Walsh told The Daily News:

“He pitched his first game for the Sox against the Browns…got off to a good start and then got into a jam and had to be taken out.  Maybe he was overanxious and was missing the plate, though Cracker Schalk who caught him, told me afterward that he really had struck out the three men who got bases on balls.  Anyway, it doesn’t matter now, though naturally I would have liked to see him win his first game.”

edwalsh

Sr.

Schalk resigned as Sox manager the same day.

Ten days after his debut, Walsh won his first game.  His father said:

“Then, last Saturday in Boston, he beat the Red Sox.  Gave them only six hits and the two runs they got came in the first inning before a man was out.  When he settled down he was great and three of the hits they got off him were scratches.”

Walsh said of the experience watching his son’s first victory:

“I can’t tell you how much of a kick I got out of that game.  No game I ever pitched meant half as much to me.  I wasn’t nervous.  I’d seen him pitch against some pretty good hitters and I had confidence in him, but every inning had a thrill for me.  There he was at last, winning a game in the American League.  At that moment I didn’t care if ever won another one—and I’d been waiting for it for twenty-three years.

“He’s got a fast ball, a curve ball and a knuckle ball, and the Boston players told me after the game his fast ball was very deceptive.”

The Daily News predicted great things for the younger Walsh:

“(He is) a magnificent looking young man, slightly more than six feet tall and weighing about 190 pounds, apparently has the stuff, the poise, and the judgment he needs.  If he has a heart as stout as his father’s he’ll be a great pitcher, too.”

Walsh could not match his father’s success.  He pitched parts of four seasons with the White Sox posting an 11-24 record and 5.57 ERA in 79 major league appearances.

Ed Walsh was just 32 years old when he died in 1937 of a heart ailment.

His father was elected to the Hall of Fame in 1946.

“Baumgardner Ought to be one of the Greatest Pitchers in Baseball”

30 Jul

Two things were certain after George Baumgardner’s major league debut—a 4 to 1 victory over the Big Ed Walsh and the Chicago White Sox—he had talent, and he was a bit odd.

The Chicago Tribune said:

“He had a lot of speed.  The best thing he had was splendid control.  He seemed able to cut the ball across any portion of the plate except the middle, and he seldom gave the Sox a chance to belt a good one, yet he was getting them over for strikes.”

The Chicago Daily News said Baumgardner was told it was a big deal that he had beaten Walsh:

“’Who is this fellow Walsh?’ he asked.  He was told that Big Ed is considered by many the greatest pitcher in the game.  ‘If he’s so good why don’t some National League clubs draft him?’  Inquired Baumgardner innocently.  He has since been told that the American League, in which he promises to earn fame, is a major organization just like the National.”

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Baumgardner, 1912

He was 37-47 with a 3.12 ERA in his first three seasons for Browns teams that lost 101, 90, and 88 games.

However, he was sent home by the Browns after appearing in just seven games in 1915—he was 0-2 with a 4.43 ERA.

The St. Louis Post-Dispatch said, the pitcher “has hit the lonesome trail of the West Virginia pines…and has been advised to go home and get in shape.”

After the 1915 season, American League umpire Billy Evans said in his nationally syndicated column that, “Baumgardner…ought to be one of the greatest pitchers in baseball, but he is not, and thereby hangs a rather interesting tale.”

Evans said:

“Baumgardner has wonderful speed and a beautiful curve.  He is fleet of foot and a corking good fielder.  There are in the major leagues today any number of pitchers rated as stars who do not possess one-half the natural ability.”

Evans said in addition to his slow start, the Browns gave up on the pitcher so easily because of the financial stress the Federal League had caused American and National League clubs:

“Baumgardner’s salary was surely $4,000 or better, because George Stovall tried to sign him for the (Kansas City) Feds.  Stovall, having managed the Browns (Stovall jumped to Kansas City before the 1914 season) was familiar with Baumgardner’s ability. There are few players who would let such a salary slip away from the without making some effort to retain it.”

Evans claimed that after they sent him home, the Browns never heard from their pitcher, and “his whereabouts during the summer was unknown,’ to the team.

“The only news ever received from the eccentric pitcher came through a St. Louis traveling man, who made the small towns in the south.  He bumped into Baumgardner in a West Virginia hamlet pitching for one of the village clubs.  He watched him perform, said he never looked better; so good in fact he could have gotten a long without his outfield.”

Evans said the man asked the pitcher if he had been in touch with the Browns:

“’I am waiting to hear from them,’ was Baumgardner’s reply.  ‘I guess if they really thought they could use me they would have me rounded up.  I ain’t much on letter writing; they don’t need to expect any word from me.”

Evans said:

“It hardly seems possible that in times of war, when big salaries were almost possible fir the mere asking, a fellow would let it get away from him (but) nothing worries the big fellow, it is easy come, easy go with him.”

Baumgardner’s 1916 season was even more unusual than 1915.  He again reported to the Browns out of shape, and struggled.

In June, the Browns attempted to sell him to the Memphis Chickasaws in the Southern Association.  The Post-Dispatch said:

“George Baumgardner of Barboursville, WV, the heart of the Blue Ridge belt, is all puffed up like a pouter pigeon because he has signed a new contract with the Browns.  All of which proves how easy it is to get Baumgardner all puffed up.

“This contract, which Baumgardner considers and asset, according to his own statement, calls for $75 a month.”

The paper said Baumgardner would have earned $200 a month with the Chickasaws, but told manager Fielder Jones:

“Who’ll ever see me pitch in Memphis?”

Baumgardner lasted just one more month in St. Louis.  He appeared in four games for the Browns and posted a 7.88 ERA before being released on July 20.

The Sporting News said the Browns attempted send Baumgardner to the Little Rock Travelers, where he would have earned $250 a month and he again said he wasn’t interested:

“But even that ($75 a month) was too much, thought Fielder Jones, so one day last week he handed Baumgardner another release, his second or third in three months, and told him positively to get away and stay away.”

Baumgardner said his right arm had “gone back on him,” and that he was going to “go back to the mountains and practice with my left arm.”

After several days he joined the Travelers.

He only lasted a month in Little Rock.  Baumgardner was 2-1 in five appearances on August 21 when The Arkansas Democrat said he was heading back to West Virginia:

“(He) says he is going home this week and stay there until next season—maybe.  Or he may come back and help the Travelers in the last few days.”

Baumgardner promised the paper he would return and “not lose more than four games” in 1917.

baumgardner

Baumgardner, 1917

The Arkansas Gazette summed up his 1917 season:

“Every time “Bummie” goes out he gets a beating.”

And he didn’t keep his word.  He lost five games in 1917, winning three, before being released by Little Rock on June 7.

After winning 37 games in his first three major league seasons, Baumgardner’s professional career was over six weeks before his 25th birthday.

Frank Isbell and Big Betsy

16 May

Frank Isbell of the Chicago White Sox started hitting in 1905—having never hit better than .257, and after batting just .210 the previous season, Isbell posted a .296 average in 351 at bats in ’05.

isbell3

Frank Isbell

Hugh Fullerton of The Chicago Tribune suggested it was due to his bat, “Big Betsy.”  Fullerton said:

“The early history of the bat is unknown, but it was believed Issy discovered Betsy in a lot of bats purchased by the club.  He fell in love with her and was always ready when hits were needed.”

In 1906, Isbell led the Hitless Wonders’ regulars with a .279 average, and hit .308 in the World Series versus the Chicago Cubs, including four doubles in his first four at bats in game 5.

Publishers Press News Service said:

“Big Isbell was a tower of strength with the stick.  Four crashing doubles the lanky Swede tore off and besides scoring three runs himself, he drove in three more.”

Isbell added three more hits in game 6, and according to The Chicago Record-Herald, Isbell told Sox owner Charles Comiskey he was going to retire Betsy:

“That grand old bat has seen its last hard work on the ball field.  It’s going to pass the rest of its days in peace.  That stick helped skin the Cubs…Oh, it’s a great bat, but you’ll never see it on a ball field again.  That’s the souvenir I prize above all the rest.”

Isbell changed his mind during the off season.

isbell2

Isbell

Charles Dryden of The Tribune told the story of Big Betsy’s debut in 1907:

“By far the most important arrival of (opening) day was Big Betsy, which traveled by registered letter from Wichita, Kansas.  She is too priceless to be risked any other way.  Big Betsy is the bat from which the talented Mr. Isbell fired four two-baggers in the fifth game of the World’s Series.  News that Betsy had reported sent some high grade chills chasing up and down the spine of the (St. Louis) Browns.”

Isbell, Dryden said, had brought the bat to Mexico City where the Sox trained in 1907, and when he later took a train from New Orleans home to Wichita, “Izzy took a top berth and let Betsy have the lower.”  Isbell then shipped the bat to St. Louis for the opener because, “He had two grips, one in either hand, and there was no secure place for Betsy.  He would not trust the porter.”

Dryden said the bat arrived the Southern Hotel in St. Louis at 11 o’clock on the morning of the game:

“Oozy Ed Walsh helped Izzy receive the stick and together they fondled it with loving hands.  It was Oozy Ed who trained Big Betsy, using her to hit fungoes with in practice.

“The same tarred tape is sticking to the handle, and across the butt end of the weapon Izzy had carved lifelike portraits of the love doubles he smote on that fearful West Side day.”

Four days later with Isbell slightly hobbled by a leg injury, tragedy struck Big Betsy in Detroit.  Dryden said in The Tribune:

“Izzy is in a bad way mentally and physically.  Big Betsy, the fat bat that brought fame and dollars, is no more.  Her shattered fragments wound about with crepe and forget me nots now are in the baggage coach ahead, bound for Wichita, Kansas.  The remains will be framed and hung up in Izzy’s boudoir for future generations to rubber.  It was G. (Sox Shortstop, George) Davis who put Big Betsy in the morgue.  He borrowed her yesterday when Izzy was not looking and busted Betsy wide open hitting into a double play.”

Without Big Betsy and hampered by a season-ending hand injury in August, Isbell hit just .243 in 1907, he hit .247 in 1908 after holding out until June, and .224 in 1909.  Isbell requested, and was granted, his release by Comiskey before the 1910 season in order to accept an offer to become player-manager of his hometown Wichita Jobbers in the Western League.

Lost Pictures–Ty Cobb’s “Outburst of Historic Art”

30 Sep

After the 1916 season, Ty Cobb spent four weeks on Long Island shooting the first feature film starring a major league ballplayer.

The story for “Somewhere in Georgia” was written by Grantland Rice, then of The New York Tribune.

Ty Cobb and leading lady Elsie MacLeod

Ty Cobb and leading lady Elsie MacLeod

Rice said of the film:

“For the matter of twelve years Tyrus Raymond Cobb, the first citizen of Georgia, has proved that when it comes to facing pitchers he has no rival…It may have been that facing such pitchers as (Ed) Walsh, (Walter) Johnson, (Babe) Ruth and others has acclimated Ty to facing anything under the sun, even a moving picture camera.  At any rate, when Director George Ridgewell, of the Sunbeam Motion Picture Company, lined Ty up in various attitudes before the camera he was astounded at the way the star ballplayer handled the job.

Grantland Rice

Grantland Rice

“These paragraphs should be enough to break the news gently that Cobb, wearying of competition with (Tris) Speaker, (Joe) Jackson and (Eddie) Collins through so many years, has decided to go out and give battle to Douglas Fairbanks and Francis X. Bushman.  Not for any extended campaign, but for just one outburst of historic art.”

Director George Ridgeway said of his star:

“The most noticeable thing about Cobb’s work was this:  I’ve never had to tell him more than once what I wanted done.  I had an idea that I would have to take half my time drilling him for various scenes in regard to expression and position. But, on the contrary, he seemed to have an advance hunch as to what was wanted, and the pictures will show that as a movie star Ty is something more than a .380 hitter.  In addition to this, he is a horse plus and elephant for work. Twelve hours a day is nothing to him, and when the rest of us are pretty well worn out Cobb is ready for the next scene. I believe the fellow could work twenty hours a day for a week and still be ready for overtime.”

Rice noted that Cobb balked at just thing during the filming:

“Ty was willing enough to engage in mortal combat with anywhere from two to ten husky villains.  He was willing enough ti dive headfirst for the plate or to jump through a window, but when it came to one of our best known pastimes, lovemaking, he balked with decided abruptness.

“Despite the attractiveness and personal appeal of the heroine, Miss Elsie MacLeod, Ty was keen enough to figure ahead, not what the spectators might think of it, but what Mrs. Tyrus Raymond Cobb of Augusta think. The love making episode, therefore, while more or less thickly interspersed, had to be handled in precisely the proper way to meet Ty’s bashful approval”

The "bashful" star

The “bashful” star

The New York Tribune claimed that “More than 100 motion picture scenarios” were presented to Cobb before he agreed to appear in Rice’s.  The paper said, “(H)e would not, he emphatically stated, appear in anything that was not compatible with both his dignity and his standing in the baseball world.”

The Ty Cobb character in “Somewhere in Georgia” is a bank clerk who plays ball for the local baseball team—he, along with the bank’s cashier are vying for the love of  the banker’s daughter.  Cobb is scouted and offered a contract by the Detroit Tigers but the banker’s daughter tells him he must choose between baseball and her.  At the same time, the cashier, Cobb’s rival for the banker’s daughter, bets against the home team and plots to have Cobb kidnapped by “a gang of thugs.”

Cobb accosted by thugs

Cobb accosted by thugs

After being held hostage in a cabin, Cobb escapes with the help of “a local farm boy,” and:

”Commandeering a mule team, Ty succeeds in reaching home just in time to make a spectacular play and save the game for his team.  He then turns the tables on the cashier, wins the girl and winds things up in a manner appealing to ball fans and picture fans alike.”

Cobb escaping with the aid of a local farm boy.

Cobb escaping with the aid of a local farm boy.

Billed in advertisements as “A thrilling drama of love and baseball in six innings,” no prints of the six-reel film survive, but Cobb received better reviews than most of his brethren who attempted a film career.

After the film’s release in 1917, The Tribune said:

“(A)s an actor Ty Cobb is a huge success.  In fact, he is so good that he shows all the others (in the cast) up.”

When the film premiered at the Detroit Opera House in August of 1917 The Detroit Free Press said:

Ad for the film in Detroit

Ad for the film in Detroit

“(The film) is not only a most interesting baseball picture, but it gives views of “The Georgia Peach” that one does not see at Navin Filed…One seldom gets a chance to take a peep at Ty in civilian clothes and he shows himself to be as much at home in this story of love and romance into which a few baseball surroundings have been woven as he is on the diamond.  He makes a pleasing film hero, wooing and winning the bank president’s daughter and performing other exploits that one would expect from Douglas Fairbanks and his like.”

Lost Pictures–Frank Leet Caricatures

31 Aug

leetjohnson

Walter Johnson of the Washington Senators, as depicted by Frank Rutledge Leet, a cartoonist for The Newspaper Enterprise Association, as well as the author of a number of children’s books, including one called, “When Santa was Late.

In 1912 and 1913 he provided caricatures for a number of articles featuring players telling their favorite baseball stories.  In addition to Johnson, Leet created images of Johnson’s teammate Germany Schaefer:

leetschaefer

Chicago White Sox pitcher Big Ed Walsh:

bigedwalsh

Johnson and Schaefer’s manager Clark Griffith:

leetgriffith

And, Detroit Tigers manager Hughie Jennings:

leethugh

Lost Advertisements–Home Run Baker, Ide Silver Collars

15 Jun

hrbakeradAn advertisement for Ide Silver Collars, featuring John Franklin “Home Run” Baker:”

“Your silver collars have certainly made a big ‘hit’ with me.  The buttonholes are the easiest and best ever.”

bakerpix

After Baker returned to baseball with the New York Yankees in 1916, he “wrote” a very short syndicated newspaper piece, part of a series which asked some of the game’s best hitters to name “The Six Hardest Pitchers I ever Faced.”

Baker said:

“In naming my six hardest and best pitchers, I must invade my old club for three of them, though I never batted against them in championship games.  From my standpoint, the six best during my career were:

“Walter Johnson–Washington Americans.

“Edward Walsh–Chicago Americans.

“‘Dutch’ Leonard–Boston Americans

“Eddie Plank–Philadelphia Americans

“Albert Bender–Philadelphia Americans

“John Coombs–Philadelphia Americans.

“Johnson is the present-day wonder; Walsh was the king in his prime, and young Leonard is a puzzle among present left-handers, but I must award the plum to my three great old pals.”

Baker 1916

Baker 1916

“Many say he was so Modest he Hated to have his Picture Taken”

30 Mar

In the winter of 1918 Malcolm MacLean of The Chicago Evening Post wrote about the peculiar reactions of a few players to photographers:

“It may happen that a pitcher does a phenomenal streak of work and his photo should run.  It may be the only one of him in stock that has been used time and again—so often, in fact, that it is all but worn out.

“Hence it is necessary for a photographer to snap said fellow’s photo on the ball field.  Ninety-nine times out of a hundred this is a pipe. Yet there are exceptions.”

MacLean said he recalled a handful if examples of players refusing:

“In practically every case it was that uncanny thing known as ‘baseball superstition’ that made it difficult, almost impossible, to get them to pose.

(Urban) Red Faber, of the White Sox, on two occasions (during the 1917 season) lost ball games after he had been snapped.  So he announced his intention of refusing to pose again until the White Sox won the American League championship.  Another member of the Sox, Charles (Swede) Risberg, joined him in the declaration. And they stuck to it.

Red Faber

Red Faber

“The day after the title was clinched both Faber and Risberg were among the easiest fellows on the squad to photograph.  In their case it was ‘superstition’ and we don’t know they could be blamed.  If a player keeps winning, only to have the streak smashed the day his photo is taken, well we have an idea we’d do the same thing.”

MacLean said during Rube Marquard’s 19-game winning streak the Giants’ pitcher refused to allow a Chicago photographer to take his picture.  MacLean said he and a cameraman approached the pitcher on July 8, 1912:

 “’Nothing doing,’ he said.  ‘Come around any time you want after I’ve lost a game and you’re welcome to all you want.’  It so happened that Rube lost that day, Jimmy Lavender hanging the bee on him, and the following afternoon Rube posed and posed and posed.”

MacLean said Jim Thorpe was a particularly difficult subject to photograph when he began his major league career, but not due to superstition:

“When Thorpe first came to Chicago with the Giants, he was the most widely advertised athlete in the world.  He was fresh from his triumphs in Sweden on the track field and from the gridiron at Carlisle.

“Many say he was so modest he hated to have his picture taken.  At any rate, many a film and plate was wasted on him because he would turn his face away, throw up his arm in front of him, or do something also to ruin the exposure.”

Jim Thorpe--Airedale fan

Jim Thorpe

Another difficult member of the Giants was catcher John “Chief” Meyers, who MacLean said would brush past photographers, saying:

“’Aw, you’ve got all of me you want,’ It was decidedly exasperating, especially when publicity is what helps keep major leaguers in the majors.”

Two other oft-photographed pitchers had their own particular quirks.

MacLean said:

“It will surprise many to learn that Ed Walsh, of the White Sox…refused to pose on the day he was expected to pitch…Few men were snapped so frequently as Ed when he was in his prime, yet we venture to say no man ever got a photo of him—when Ed knew it—on the day he was to work.

Eddie Plank, of the Athletics…was one of the easiest of all men to photograph, but it was exceedingly difficult to get a good one of him.  The reason was he kept tossing stones at the camera or twisting up his face in some farcical fashion.  And when other players were being taken Ed would throw peddles at them, trying to have them distort their faces.”

Eddie Plank

Eddie Plank

Addie Joss on Spring Training

21 Mar

From 1906 until his death in 1911, Cleveland Naps pitcher Addie Joss moonlighted as a sportswriter for The Toledo News-Bee and The Cleveland Press.

addiejoss

Joss at the typewriter

Shortly before departing for the Naps’ camp in Macon, Georgia in 1908, Joss gave readers an insider’s view of spring training:

“About the first thing players do when they receive orders to report at a certain place, is to dig up paraphernalia.  Shoes and gloves are saturated in oil or Vaseline to soften the leather and prepare them for the work in sight.”

After his “two or three days…flying southward” on a train, and one day “getting settled,” he said:

“If the weather permits (a player) witnesses his first practice.

“Usually, the first hour or two is spent in tossing the ball around to get limbered up.  Then the manager calls upon one of the twirlers, usually a youngster, to toss up a few slow ones.

“Half an hour’s batting and the men assume their positions on the field. “

Addie Joss

Joss

After a half hour of fielding practice:

“(T)he men hike back to the hotel.  This routine is observed for the first few days, or until arms and legs become accustomed to the unusual exercise. “

Joss said veteran players usually “take it easy” for the first week unless he needs to shed a few pounds:

“If a man is overweight he will rid himself of superfluous flesh by various means.  Some run around the park each morning and afternoon.  Others chase flies until they seem ready to drop from exhaustion.“

Joss said there was no better “means to get into shape” than fielding ground balls:

“It not only loosens and toughens the muscles but gives the individual fielding practice.

“A stranger to this sort of training will be surprised at the good accomplished.  It brings every muscle into play and puts a man into splendid condition in a couple of weeks.”

Attempts were made, he said, to find new ways to keep players interested:

“Last spring, one trainer introduced an association football into camp, and the players found the diversion beneficial.  It produced generous perspiration and took the stiffness out of sore bodies. “

Next, a few “hotly contested” intersquad games between “regulars and colts,” are played, followed by:

“(T)hree games a week…played by the big league club with the organization from the town in which they are training.  This produces the teamwork so necessary.”

Off the field, Joss said it was critical that the team had a good “rubber:”

“An important factor is the trainer, and the team possessing a good handler finds the work much easier.  After 15 minutes in the hands of an expert rubber, a player whose arms and legs were so lame they could scarcely be lifted leaves the room feeling fine and fit.”

Finally, Joss, who was known as a well-mannered, family man—Ed Walsh, who pitched against him the day Joss threw his perfect game beating the Chicago White Sox 1 to 0 in 1908, told The Chicago Inter Ocean after his death that he was “One of the best men I ever met on or off the ball field–” assured readers that no one was misbehaving during the spring:

Walsh and "One of the best men he ever met..."

Walsh and “One of the best men” he ever met

“The players have little time to themselves off the field, and are usually so tired when night comes that they are willing to sit around the hotel until bedtime.”

Things I Learned on the Way to Looking Up Other Things #18

7 Mar

Tener on Anson

In 1917, John Tener wrote an article in “Baseball Magazine” about Cap Anson, his former manager with the Chicago White Stockings.

John Tener

John Tener

The former pitcher and outfielder, who went on to serve in the United States Congress and as Governor of Pennsylvania, and who in 1917 was president of the National League said:

“Pop Anson was the Greatest Batter who ever lived.  You may look up his record, compare it with others and draw your own conclusions.  When I say this I am well aware of the claims of Ed Delehanty, Hans Wagner and many other great hitters.  I give them all due credit, but in my opinion, Anson was the greatest of them all.

"Cap" Anson

Anson

“He was, first of all, a free hitter. He loved batting…He had that true eye which enabled him to hit the ball squarely on the nose.  His hits were line drives.  They were solid smashes with the full force of his muscular shoulders behind them.”

[…]

“He was an excellent judge of the precise fraction of a second that he needed to swing that heavy bat of his against the best the pitcher could offer.  He didn’t exactly place his hits, but he contrived to drive the ball behind the base runner about where he wanted to drive it…He was big and strong and heavy.  Some hitters of the present day fatten their averages by their nimbleness in reaching first.  Anson drove the ball solidly into the outfield and took his time in going to first.”

Conte on Mendez

Jose Pepe Conte was a well-known sportswriter in Havana, Cuba. Frank Menke of Heart Newspaper’s International News Service (INS) said of him:

Jose Pepe Conte

Jose Pepe Conte

“Pepe is a fellow who knows heaps and heaps about ancient history, European customs, chemistry, baseball and prize fighting.”

The Pittsburgh Press called him:

“(A) Cuban newspaperman, political personage, and unearther of baseball talent.”

In 1912, the INS distributed an article Conte wrote about the pitcher he thought was the best ever:

“American baseball fans can talk all they want about their (Chief) Benders, (Christy) Mathewsons, (Ed) Walshes and (Mordecai) Browns, but down in our country we have a pitcher that none of the best batters in the country can touch. This is the famous Black Tornado, (Jose) Mendez.  Talk about speed.  Why, when he cuts loose at his hardest clip the ball bounces out of the catcher’s mitt Talk about speed, Mendez has to pitch most of the time without curves because we haven’t a catcher who can hold him.  To make things better, Mendez can bat like (Ty) Cobb.  He has won his own games on various occasions with smashes over the fences for home runs.  He weighs about 154 pounds and is a little fellow.”

Jose Mendez

Jose Mendez

[…]

“No one has been found who can hold him when he really extends himself.  He has shown his skill in the past when he has faced the best batters of the Cubs and Detroit teams when those teams were champions, and when the Athletics went there last year.  Mendez has more curves than any pitcher in America, and if some inventive genius could produce a whitening process whereby we could get the fellow into the big leagues he could win a pennant for either tail-end team in either league.”

Sullivan on Comiskey

In his book, “The National Game,” Al Spink said Ted Sullivan was “the best judge of a ball player in America, the man of widest vision in the baseball world, who predicted much for the National game years ago, and whose predictions have all come true.”

Ted Sullivan

Ted Sullivan

Sullivan was a player, manager, executive, and in 1921, he wrote a series of articles for The Washington Times called “The Best of my Sport Reminiscences.”  He said of Charles Comiskey, who he was crediting with “discovering” at St. Mary’s College in Kansas:

Charles Comiskey

Charles Comiskey

“As a player, Comiskey was easily the best first baseman of his time…His intuition in defining the thoughts of his opponents and making his play accordingly placed him head and shoulders over any man that played that position before or after.

“Comiskey was with John Ward and King Kelly one of the greatest of base runners.  I do not mean dress parade base running, either, merely to show the crowd he could run.  Comiskey’s base running was done at a place in the game when it meant victory for his side.  He was far from being the machine batter that Anson, Roger Connor and some others were; but as a run-getter, which means the combination of hitting, waiting, bunting and running, he outclassed all others.  Jack Doyle, when in his prime with Baltimore and New York, was the nearest approach to Comiskey in brainwork.  There are no others.”

Lost Advertisements–Ty Cobb, Lewis 66 Rye

11 Dec

cobblewis66

A 1912 advertisement for Lewis 66 Rye Whiskey from The Strauss, Pritz Company, a Cincinnati-based distiller:

“Away Above Everything”

Ty Cobb–‘The Georgia Peach’

“Baseball never saw Ty Cobb‘s equal.  The Chalmers Trophy Commission, appointed to name the most valuable American League player in 1911, unanimously gave every possible point to Cobb (he received all eight first-place votes–the commission consisted on one sportswriter from each league city).  In 1911, Cobb led his league in hits, runs, and stolen bases.  Hits 247; batting average .417; runs 149, stolen bases 85 [sic 248; .420; 147, 83].”

Cobb was presented with a Chalmers “36” at Shibe Park in Philadelphia on October 24, 1911, before game four of the World Series. Jack Ryder, covering the series for The Cincinnati Enquirer said of the presentation:

“President (John T.) Brush of the Giants declined to allow this ceremony at the Polo Grounds, so it was pulled off very quietly here this afternoon…The event took place 10 minutes before the game and was coldly ignored by the Giants though the Athletics took a keen interest in it and several of them had their pictures taken with Cobb. Ty now has three cars, but he says this one is much the best of the lot, and he expects to drive it to his home in Georgia as soon as the series is over.”

Cobb in his Chalmers at Shibe Park

Cobb in his Chalmers at Shibe Park

While Cobb was the unanimous choice of the eight-man commission, the second place finisher in the American League received a more valuable car.

The Chicago Inter Ocean said Chicago White Sox fans, unhappy that pitcher “Big Ed” Walsh finished second to Cobb, “Undertook to raise a fund to purchase an automobile,” for him.

But, said the paper, the fans:

“(F)ound themselves confronted with a dilemma–they had too much money in the fund to buy a duplicate of the Chalmers touring cars presented to Ty Cobb and (National League winner, Chicago Cubs outfielder) Frank Schulte.”

Two days before Cobb received his Chalmers in Philadelphia, Walsh was presented with his car before a charity game at Comiskey Park.

Ed Walsh

Ed Walsh

No Chicago newspaper reported the make and model.  The Daily News called it “A handsome automobile.”  The Inter Ocean said it was “A $4,000 automobile,” and The Tribune said simply that he had received an “(A)utomobile subscribed for by the fandom of the city.”  The Examiner also failed to mention the type of car Walsh received but said the Cubs’ Schulte “gave $25” to the fund.

According to The Tribune, Walsh promised to “‘(L)earn how to run it before spring,’ and the stands cheered loyally.”