Tag Archives: Dick Redding

“Pop Lloyd was the Paragon of Deportment”

16 Jun

Randy Dixon was a World War II correspondent for The Pittsburgh Courier, reporting on the Tuskegee Airman among the many stories that carried his byline. Before leaving for Europe, he had sometimes written about baseball for The Courier.

In a 1940 column, he said he participated in a “fanning bee in which were engaged a blend of old timers and an opposite cast of comparative youngsters,” to select the greatest Negro League player of all-time and the best player(s) in other categories.

After “a maze of testimony, pro and con,” the group decided:

“Pop Lloyd was the paragon of deportment.”

John Henry “Pop” Lloyd

Buck Leonard was, “the least colorful,” player while Luis Santop was “the biggest box-office attraction.”

Dick Redding, Satchel Paige, Stuart “Slim” Jones, and “Smokey” Joe Williams were “the speed kings among pitchers,” Paige was also said to be the “goofiest” player.

”Martin Dihigo was the most versatile and possessed the best throwing arm, but was also the most mechanical.”

The best baserunners were Oscar Charleston, Cool Papa Bell, Pop Lloyd Dick Lundy and Rap Dixon, Bell was the fastest runner, he described the long-forgotten Alfredo Barro, referred to as only “Cuban Baro” as “a close runner up.”

Oscar Charleston

The pugnacious George “Chippy” Britt—who Dixon referred to as “Oscar”—was one of “baseball’s Joe Louises.” Jud Wilson was the other. Wilson also “zoomed the ball hardest off his bat.”

Frank Warfield was the most graceful player, while “Jake Stevens [sic, Stephens] was the trickiest.”. Toussaint Allen, “had no peer” playing first base. Josh Gibson was “the longest hitter.”

Willie Foster had the best pickoff move. Biz Mackey possessed “that uncanny sixth sense that anticipated proper spots for pitchouts and for inside manipulations.”

”Willie “Devil” Wells lived up to his nickname among Dixon’s panel, he was “the toughest for fellow club members to get along with.”

Rube Foster was the best manager. The Hilldale Club was said to be “the best paying proposition in Negro Baseball.”

The Harrisburg Giants, when managed by Charleston and with a roster that included Rap Dixon, Fats Jenkins, and John Beckwith, was “the gas house crew of all time.”

Wendell Smith, Dixon’s colleague at The Courier, just three years into a writing career that would earn him a spot in the Hall of Fame did not make the list of the all-time best black best baseball writers. The group chose Romeo Dougherty of The New York Amsterdam News, Frank (Fay) Young of The Chicago Defender, W. Rollo Wilson and Bill Nunn of The Courier, and John Howe, the editor of The Philadelphia Tribune; Howe had died 12 years earlier.

And finally, the consensus of the group for “greatest player, all things considered,” was Oscar Charleston.

“I’ve Selected them in the Order as Their Greatness Appeals to me”

31 Oct

Dizzy Dismukes probably wrote more about the players he saw during and after his career than any other Negro League player.  The Pittsburgh Courier regularly published his observations in 1930.  Like this one:

“Strolled into a barber shop (in St. Louis) a few days ago and arguments were rife as to the best pitcher of all times.”

diz

Dismukes

Dismukes said that each participant in the discussion “based his argument on one particular game” they had witnessed.  He told the group he would share his top nine “I had seen during my 21 years” in the pages of the paper:

“I’ve seen some might fine work done by some pitchers whose names won’t be included in the list because of the short duration of their performances.  For instance, there was  Bill Lindsay, who died early in his career (at age 23 in 1914), Pat Dougherty, who had as much zip on a fast ball as any pitcher who ever through a pellet, he imbibed too much of intoxicants, and numerous others.”

Dismukes said “consistency of performance for a reasonable number of seasons” was his criteria.  Unfortunately, Dismukes chose not to go into the detail he did when selecting outfielders, or The Courier did not give him the space, so the pitcher list lacks a lot of the insights of the previous one, but listed them in order:

“Here goes:

  1. Rube Foster

  2. Cyclone Joe Williams

  3. John Donaldson

  4. Steel Arm John Taylor

  5. Bullet Rogan

  6. Dick Redding

  7. Frank Wickware

  8. String Bean Williams

  9. Walter Bell”

RubeFoster

Rube Foster

Of the list, he said:

“I’ve selected them in the order as their greatness appeals to me.  There will be very little opposition to the placing of the first names two, although some may prefer juggling numbers 3, 4, 5, and 6.

“Some might argue as to the effect the lively ball would have had on their performances.   In the list above are two notable examples:  In the list above are two notable examples: ‘Cyclone’ Williams and Rogan.  How many times during a season were they shelled off the hill?”

Next, he rated catchers.  Josh Gibson, then 18, had not yet begun his first season with the Homestead Grays, and was not on Dismukes’ radar:

“The crop of young catchers breaking into the game in the past ten years have been so poor that I can only find three, namely: Frank Duncan, of the Kansas City Monarchs, Raleigh (Biz) Mackey of Hilldale, and Larry Brown of the Memphis Red Sox showing enough skill to qualify.”

His first choice:

“Topping the list is none other than Bruce Petway, whom I claim to be the greatest catcher I ever saw.  His best days were spent during the base-running craze.  There were not as many fast me afoot playing baseball then as now but there were more base runners.  One could possibly count all the thefts against Petway during a season on one hand and then have a few fingers left.”

 

petway

Dismukes said some people thought Petway was a poor catcher because he dropped a lot of balls, but he claimed:

“Petway would intentionally drop balls to encourage base runners to start, as very few had the nerve.”

Dismukes said Petway was a great base runner and “an uncanny judge” of foul pop ups.

Second was George “Chappie” Johnson:

“With Chappie behind the plat, a pitcher did not have to have much on the ball…(and he) was the greatest conversationalist in baseball…Chappie had the opposing batters dumbfounded with a never-ceasing flow of ‘lingo’ crossing the batter up by telling him exactly what the pitcher was about to deliver then standing far to one side of the plate telling the pitcher to ‘get this one over.’ The pitcher then shot one across the plate and he gracefully reached in with one hand to receive a strike.  He excelled in receiving with one hand.  Many young catchers have ruined a career trying to emulate Chappie.”

The third pick was Pearl “Specs” Webster:

“He could do everything expected of a great catcher.  In competition he proved the fastest runner in colored baseball and in bunting and getting to first base as well as circling the bases he was a wonder.  He truly was one of baseball’s greatest catchers.  Specs died overseas in the service of the USA.”

specks

Next was “a scrawny kid from Kansas City,” Frank Duncan:

“He gets the call for No. 4 position.  A great receiver, thrower, fast on bases, and a dangerous hitter.”

Dismukes’ next choices:

“Pete Booker, another of the old school, gets post No. 5, while Russell Powell, reporting to the Indianapolis ABC’s as an infielder and converted into a catcher, is choice No. 6.  He was one of the few catchers who seldom made false moves back of the plate.  When he threw at a base runner there was always a chance of getting him.  He excelled in trapping runners off third base with snap throws.”

His seventh choice:

“Wm. McMurray, who could look at batter’s feet and come near telling what batter could or could not hit, gets the lucky No. 7 position…whenever you put Mac in a game you always had a well-caught game.”

His final two choices were Biz Mackey and Larry Brown:

“(Mackey) a super hitter, and one who comes near as any recent catcher in having a throwing arm resembling that owned by the one and only Petway, in No. 8 in line, while ninth, last but not least is Larry Brown, who shows unusual skill in handling of pitchers.  (Dolf) Luque, formerly of the Cincinnati Reds and now with Brooklyn of the National League, praises Brown as being the best receiver he ever pitched to.”

Lost Advertisements–American Giants at Dyckman Oval

8 Jul

amgiants1919

An advertisement for the final day of Rube Foster and the Chicago American Giants’ 1919 barnstorming tour of the East Coast–an August 24 doubleheader against Guy Empey’s Treat ‘Em Rough at Dyckman Oval

The “Treat ‘Em Rough,” also occasionally called the Treat ‘Em Roughs, were a barnstorming team composed of some current and former professional players–including Jeff Tesreau, Pol Perritt as well as East Coast semi-pro players.  The team was a promotion for “Treat ‘Em Rough Magazine,” published by Arthur Guy Empey, an American cavalry sergeant who, opposed to the United States neutrality during the early stages of WWI, left the country to join the British Army.  Empey returned to the United States after being wounded in the Battle of the Somme and became a national celebrity after the publication of his biography, “Over the Top,” which was turned into a film–written by and starring Empey–in 1918.  Treat ‘Em Rough was a reference to what had become Empey’s famous tagline: “Treat ‘Em Rough Boys.”

Guy Empey

Guy Empey

Empey’s team spent the 1919 season playing against local clubs and Negro Leaguers, including the Bacharach Giants:

amgiants19193

amgiants19192

The Bacharach Giants swept two doubleheaders from Empey’s club that month behind the pitching of “Cannonball” Dick Redding and Frank Wickware.

Empey’s team, with Tesreau and Perritt on the mound, faired no better against the American Giants.  In an August 17 Doubleheader, Smokey Joe Williams pitched a one-hitter, beating the Treat ‘Em Rough and Tesreau 2 to 0.

"Smokey" Joe Williams

“Smokey” Joe Williams

 

Oscar Charleston started the second game for the American Giants but was hit hard and relieved by Dave Brown.  The Giants came back to win 9 to 7 in 11-innings.  Perritt pitched 11 innings and took the loss.

The next meeting went about the same for Treat ‘Em Rough.

The New York Age said “The stands were filled to overflowing” for the final doubleheader, “The last two games of Rube Foster’s Chicago American Giants’ Eastern tour.” The paper also noted that:

“The majority of the fans were supporters of the Chicagoans.”

Tom Johnson started the first game  for the American Giants, beating Tesreau and the Treat ‘Em Rough 2 to 1, and Williams outpitched Perritt in the second game, the American Giants winning 7-1.

The American Giants returned to the Midwest the following day.  Empey’s Treat ‘Em Rough baseball team appears to have disbanded sometime in 1920.

 

Cum Posey’s “All-Americans”

18 Nov

In 1937, Homestead Grays owner Cumberland Willis “Cum” Posey Jr. set out to name the all-time Negro League all-stars–his “All-Americans”– in The Pittsburgh Courier; six years later he expanded his “All-American” team and conceded that picking an all-time Negro League team was a nearly impossible task:

“Due to the changes in umpiring, parks, baseballs, ownership, in the last three decades, it is merely a guess when any of us attempt to pick an all-time All-American club.  Under any system we would hesitate to put ourselves on record as picking the club without placing some of the boys from the islands on the team.  We know some star players from Cuba, who played Negro baseball in the US and they cannot be ignored.”

Cum Posey

Cum Posey

Posey said no team would be complete without considering pitchers Jose Mendez, Eustaquio “Bombin” Pedroso, and Juan Padron, shortstop Pelayo Chacon, outfielders Cristobal Torriente and Esteban Montalvo and “(Martin) Dihigo, probably the greatest all-around player of any decade.”

Cristóbal Torriente

Cristóbal Torriente

“If one could be a spectator at an argument between those closely associated with baseball—fans, players, owners—he would be surprise at the differences of opinions.

Ted Page, who is now manager of Hillvue Bowling Alley (in Pittsburgh), and was formerly one of the star players of Negro baseball was mentioning one of the players of former years.  Ted contends (Chester) Brooks, one of the few West Indian (Brooks was said to hae been born in Nassau, Bahamas, but several sources, including his WWII Draft Registration and death certificate list his place of birth as Key West, Florida) players ever on the roster of an American baseball club was one of the real stars of all time.  Brooks, formerly of the Brooklyn Royal Giants, was probably the most consistent right hand hitter in the history of Negro baseball.  When the Homestead Grays were at odds with everyone connected with Negro Organized Baseball we tried to get Brooks on the Grays club.”

Chester Brooks

Chester Brooks

In his 1937 picks, Posey placed Brooks on his all-time all-star team as “utility” outfielder.

The 1937 team:

Manager:  C. I. Taylor

Coaches:  Rube Foster, Sam Crawford, and Chappie Johnson

Catchers:  Josh Gibson and Biz Mackey

Pitchers: Smokey Joe Williams, Dick Redding, Pedroso, Bullet Rogan, Satchel Paige, Dave Brown and Willie Foster

First Base:  Ben Taylor and Buck Leonard

Second Base: Sammy Hughes

Third Base: Jud Wilson

judwilson

Shortstop: John Henry Lloyd

Left Field:  Torriente

Center Field: Oscar Charleston

Right Field: Pete Hill

Utility:  Infield: Dick Lundy; Outfield: Brooks

Posey added several players for consideration in 1943, many who were largely forgotten by then:

Pitchers: Mendez, Padron

Catcher:  Bruce Petway, Wabishaw “Doc” Wiley

First Base: Leroy Grant, George Carr, Eddie Douglas

Second Base:  Frank Warfield, Bingo DeMoss, George Scales, John Henry Russell, Frank Grant

Bingo DeMoss

Bingo DeMoss

Third Base: Connie Day, Judy Johnson, Ray Dandridge, Dave Malarcher, Henry Blackmon, Walter Cannady, Billy Francis, Bill Monroe

Shortstop:  Willie Wells

Posey concluded:

“Too many outfielders to mention.  You have Dihigo, (Pee Wee) Butts, (Sam) Bankhead, Cannady (and) Monte Irvin to play in any position and nine hundred ninety-nine others.  Our personal preference for manager is C.I. Taylor, but what about Rube Foster?”

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