Tag Archives: Kansas City Monarchs

A Thousand Words–Satch and Diz

15 Mar

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Ted Williams called for the recognition of Negro League players in his 1966 Hall of Fame induction speech:

“The other day Willie Mays hit his five hundred and twenty second home run. He has gone past me, and he’s pushing, and I say to him, “Go get ’em, Willie.” Baseball gives every American boy a chance to excel. Not just to be as good as someone else, but to be better  This is the nature of man and the name of the game. I hope that one day Satchel Paige and Josh Gibson will be voted into the Hall of Fame as symbols of the great Negro players who are not here only because they weren’t given the chance.”

After Williams’ speech, Jay Hanna “Dizzy” Dean became one of Paige’s most vocal supporters.In 1968 Dean said:

“I think that he was one of the most outstanding pitchers I ever saw throw a ball and too bad he couldn’t have broken in in his prime when he could really fire that ball.”

Dean encouraged fans to write letters to members of the Baseball Writers Association of America to tell then “The venerable Leroy Robert Paige has proved he belongs in Cooperstown.”

Dean said he had “played more baseball against Satchel Paige,” than any other Major League player:

“I certainly think that if anybody belongs in the Hall of Fame, Satchel Paige deserves it as much as anyone else.  I think he was one of the outstanding pitchers of all times, and a guy who has given his life to baseball.”

Paige was the first player inducted to the Hall of Fame by The Special Committee on the Negro Leagues in 1971.

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King Tut

30 Jan

For almost 30 years Richard “King Tut” King was the clown prince of Negro League baseball and one of its biggest drawing cards.  King, born in 1905 in Philadelphia spent his youth playing in sandlot and semi-pro leagues.

He is listed as having made seven plate appearances for the Atlantic City Bacharach Giants in 1931—the rest of his nearly 30-year career was spent primarily as an entertainer.

Richard "King Tut" King

Richard “King Tut” King

King joined Charlie Henry’s Louisville-based Zulu Cannibal Giants in 1934.  The Cannibals wore grass skirts, red wigs and face paint.  Players were identified by “native” names, as with this lineup printed in The Meriden (CT) Daily Journal in advance of the team’s 1935 appearance:

“The Cannibals will lineup as follows:  Wahoo, right field, Limpopo, first base, Rufigi, center field, Tanna, left field; Taklooie, third base; Bissagoss, shortstop, Kangkol, second base, Nyass, Catcher; Kalahare, Pembra, Moke, Impo and Tankafu pitchers.”

Sometime during the 1935 season after the Cannibals had played a game with the Miami Giants, King, tired of irregular paydays with the cash-strapped Cannibals, stayed in Miami and joined the Giants.

The following season the Giants became the Ethiopian Clowns—later the Cincinnati Clowns and finally the Indianapolis Clowns– and King spent the next 22 years with the team.

He became most famous for his pantomime “shadow ball” routine with Spec Bebop, a ball juggling act with “Goose” Tatum, and playing with an over-sized first baseman’s mitt.

Richard "King Tut" King, left and Goose Tatum at Crosley Field, Cincinnati, performing the ball juggling routine

Richard “King Tut” King, left and Goose Tatum at Crosley Field, Cincinnati 1946, performing the ball juggling routine

For the most part, he did not participate in games.  As a result, it’s unclear exactly what his skill level was.

In 1948, Hall of Fame sportswriter Sam Lacy wrote in The Baltimore Afro-American said King:

“ Hasn’t hit a ball since they found his namesake’s tomb.”

Bob Motley, who was a Negro League umpire from 1947-1958, said in his biography:

“King Tut was actually a heck of a ballplayer and could put some serious wood on the ball.  I don’t particularly think he was major-league caliber, but he was good.”

At 45-years-old, King was pressed into duty as the regular first baseman on the Clowns’ 1949 barnstorming tour, The Associated Press said:

“Heretofore little has been known about his hitting prowess, since during the regular season the Clowns have used him only as a fun maker…at Atchison the other night, he slammed out three hits in five trips to the plate, including a long home run over the left field wall to slug the Clowns to a 9-6 victory over the mighty Kansas City Monarchs.”

While tremendously popular with fans across the country, and the top-billed member of the team in promotional materials throughout his career, the Black Press was not always in agreement about King’s act.

Near the end of his career, The Baltimore Afro-American said:

“Tut is a natural clown and a natural ballplayer…one of baseball’s most popular players among the fans as well as with his teammates.”

On the other hand, when King entertained the crowd at the 1947 East-West All-Star Game at Comiskey Park, he included two of his regular routines.   Frank “Fay” Young of The Chicago Defender, often called “The dean of Black sportswriters,” was not amused:

“(T)here are thousands who did not approve of King Tut’s crap shooting stunt or his shimmy in the grass skirt.  He could have left that part of his act at home.  The East vs. West classic is a high-class sport event.  Let’s keep it that way.”

Frank "Fay" Young, The Chicago Defender

Frank “Fay” Young, The Chicago Defender

King remained a huge drawing card throughout the 1950s; he spent each off-season appearing regularly with New York Broadway Clowns and New York Colored Clowns basketball teams, and occasionally with the Harlem Globetrotters.  He and Spec Bebop were part of the Jackie Robinson’s All-Star’s barnstorming tour in 1953.

King with Curtis "Junior" Johnson in a 1952 New York Broadway Clowns promotional photo

King with Curtis “Junior” Johnson in a 1952 New York Broadway Clowns promotional photo

On August 29, 1958, King was honored for what The Afro-American called “A million miles and a billion laughs,” at Connie Mack Stadium in Philadelphia.  Jackie Robinson sent a congratulatory telegram and many Negro League legends were on hand, including Bill Yancey, Toussaint Allen, Mahlon Duckett, Bill Cash, Chaney White. Buddy Burbage, and Hank Miller.

King’s career came to an abrupt end before the 1959 season.  Jet Magazine reported:

“(King) suffered a memory lapse en route to spring training at St. Petersburg, Fl, was picked up by police and returned by air to Philadelphia where he was hospitalized.”

King was committed to the Pennsylvania State Hospital at Byberry; he died there in 1966.

A Thousand Words

6 Dec

Satchel Paige demonstrates four of his favorite pitches to The Baltimore Afro-American, 1948:

The sidearm curve (outshoot):  “A wrist-twist causes counter-clockwise spin which makes the ball bend away from a right-handed batter.”

Sidearm Curve--outshoot

Sidearm Curve–outshoot

The overhand curve (drop): “Is gripped and thrown with a twist as to let the ball leave the hand with a snap between thumb and forefinger.  Overspin thus makes ball take a sudden dip.”

Overhand curve--drop

Overhand curve–drop

The Screwball (inshoot):  “Ball slides off fingers with a rapid clockwise spin, making it twist away from a left-handed hitter.”

Screwball--inshoot

Screwball–inshoot

The knuckleball:  “takes odd twists and turns even the pitcher can’t predict.”

Knuckle ball

Knuckle ball

“May every page you turn be a Satchel Paige.” Greg Proops, The Smartest Man in the World Podcast.

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